The next installment of the Ma books--all bestsellers in Ireland and the UK--brings readers on the journey of Martha's first months of freedom in Dublin after leaving the convent where she spent her early adolescence. In the latest chapter of Martha Long's autobiographical series, Martha is for the first time on her own: discharged from the convent, she's finally 16, the age she'd long dreamed of as the doorway to her freedom from the whims of cruel adults. "Life is a bowl of cherries!" she reasons as she sets out to blend in with the middle classes and find love, acceptance, and respect therein. But this is also Dublin in the 1960s, where class aspirations ain't so easy for the likes of Martha. As one job and bedsit is found (and lost), another soon comes along with its own foibles and dangers . . . but with her signature spirit and true grit, Martha makes the best of every situation and manages to offer compassion even to the most downtrodden of...

At 16, Martha collapses on the streets, suffering from starvation and exposure. She has reached rock bottom, but after Martha is taken to hospital, Lady Luck smiles kindly on her and she is given the opportunity to get off the streets for ever.Before long, Martha is on the way to leading the normal life she has so long dreamt of. She makes friends, begins to put the misery of her past behind her and even experiences her first taste of love.For her, love is a powerful feeling. She has never experienced real affection before and is now plunged into the complex world of love between a man and a woman. The intense emotion consumes her, for this is a forbidden love that can never be requited. After all, Ralph Fitzgerald is a priest, and he will never break his vow of chastity. This love brings heartbreaking consequences and changes the direction of Martha's life for ever . . .

After numerous arrests for shoplifting, Martha is sent to the convent where, the judge rules, she is to get an education. Martha is relieved to be out of the clutches of her horrible drunken stepfather, Jackser, and her feckless mother, Sally, but anxious about what awaits. Her days in the convent are steady, predictable, safe--everything that her life had not been prior to being sent away. But as she says, "You can have a full belly, but your heart can be very empty." Put to back-breaking work by the nuns, and treated cruelly by the other children--they've marked her as a "street kid"--Martha works hard, keeps to herself, and steals away when she can with a cherished book. But Martha pines for simple affection, keeping after the Sisters day after day with the hope of an arm laid across her shoulders or a tender look. When her siblings arrive at the convent--taken from their mother by the courts--Martha is thrilled to again be with family and care for the babies. But then Sally...

When Martha Long's feckless mother hooks up with the Jackser ("that bandy aul bastard"), and starts having more babies, the abuse and poverty in the house grow more acute. Martha is regularly sent out to beg and more often steal, and her wiles (as a child of 7, 8) are often the only thing keeping food on the table. Jackser is a master of paranoid anger and outburst, keeping the children in an unheated tenement, unable to go to school, at the ready for his unpredictable rages. Then Martha is sent by Jackser to a man he knows in exchange for the price of a few cigarettes. She is nine. She is filthy, lice-ridden, outcast. Martha and Ma escape to England, but for an itinerant Irishwoman finding work in late 1950s England is a near impossibility. Martha treasures the time alone with her mother, but amazingly Ma pines for Jackser and they eventually return to Dublin and the other children. And yet there are prized cartoon magazines, the occasional hidden penny to buy the children...

Martha is now in her thirties. Her daughter has left home and she is lonely and vulnerable. The hard knocks have taken their toll on her health, and as she looks into the years still lying ahead of her, she shakes her head, feeling she hasn't the heart or the strength to go on. As she teeters on the brink of a nervous breakdown, a phone call summons ghosts from the past. She discovers that one of the family is dead and the others need her help. Martha returns and when she comes face to face with the evil, psychotic Jackser, she can no longer suppress the nightmares of her childhood. A suicide attempt sees her admitted to the 'mad house', where a hunger strike takes her even nearer to death. But finally she sees a chink of light at the end of the tunnel. Could love in an unexpected form pull her back from the brink?

On hearing that Jackser, her childhood abuser, is seriously ill, Martha is elated, thinking that finally she will be able to watch him suffer. But in the hospital she sees a frightened, lonely old man and realises with a shock that he seems to regret his earlier actions.During her vigil, she is joined by Charlie, her beloved little brother, then the ma and some of her other siblings. All of them have suffered greatly and it is clear that no one connected to Jackser has escaped unscathed.But as she sits with him during his dying days, other memories of Jackser come back to Martha - fleeting moments of concern and kindness, and a sense of closeness as he recalled his own tormented past in one of Ireland's industrial schools. It is a vicious cycle of cruelty and loss that has played out, from which only her own tenacity and wit has provided an escape.Poignant, ribald, poetic and defiant, with its resolution of many unanswered...

After a failed suicide attempt and recovery in the mad house, Martha is heading for France to be reunited with the one true love of her life. Father Ralph Fitzgerald rescued her from the streets when she was sixteen and was the first person to show Martha true love and affection. But their relationship threatened his vocation and he eventually fled to Africa to take up missionary work. Martha never got over losing him and now, after nearly twenty years, he has made contact again. She sets off on a mission to find him and uncover his motives for getting in touch. Does he still love her? Has he left the priesthood? Is he now free to marry her? She needs to know what the future is going to hold.

Lilly and Ceily Carney are only seven and twelve when their mother is cruelly taken from them, leaving them at the mercy of the Church and the authorities. This is a terrifying prospect in 1950s Dublin, where it is likely that the girls will end up in one of Ireland's notorious Magdalen laundries - a fate they are determined to escape.When Father Flitters and the 'Cruelty' people arrive to take the children into care, Lilly and Ceily resist, and a riot breaks out. The girls are helped by kind Mister Mullins and his daughter Delia, but events lead to further tragedy and Lilly is left to fend for herself on the dangerous streets. Heartbroken, hungry and vulnerable, she looks like easy prey and it seems there will be no safe haven for her to find.