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<title>One With Others</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/c-d-wright/one_with_others.jpg"><img src="https://picture.graycity.net/img/c-d-wright/one_with_others_preview.jpg" class="fr-fic fr-dib" title ="One With Others" alt ="One With Others"/></a><br//>Honored in "Best Books of the Year" listings from The New Yorker, National Public Radio, Library Journal, and The Huffington Post."One With Others represents Wright's most audacious experiment yet."&#151;The New Yorker"[A] book . . . that defies description and discovers a powerful mode of its own."&#151; National Public Radio"[A] searing dissection of hate crimes and their malignant legacy."&#151;BooklistToday, Gentle Reader,<BR>the sermon once again: "Segregation<BR>After Death." Showers in the a.m.<BR>The threat they say is moving from the east.<BR>The sheriff's club says Not now. Not<BR>nokindofhow. Not never. The children's<BR>minds say Never waver. Air<BR>fanned by a flock of hands in the old<BR>funeral home where the meetings<BR>were called [because Mrs. Oliver<BR>owned it free and clear], and<BR>that selfsame air, sanctified<BR>and doomed, rent with racism, and<BR>it percolates up from the soil itself . ....]]></description>
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<pubDate>Wed, 12 Nov 2008 13:55:29 +0200</pubDate>
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<title>Spring and All</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/c-d-wright-and-william-carlos-williams/spring_and_all.jpg"><img src="https://picture.graycity.net/img/c-d-wright-and-william-carlos-williams/spring_and_all_preview.jpg" class="fr-fic fr-dib" title ="Spring and All" alt ="Spring and All"/></a><br//><div>A beautiful facsimile of the 1923 original edition which is considered "one of the greatest poems of the twentieth century". (<em>The New York Times</em>)<em>Spring and All</em> is a manifesto of the imagination — a hybrid of alternating sections of prose and free verse that coalesce in dramatic, energetic, and beautifully cryptic statements of how language re-creates the world. <em>Spring and All</em> contains some of Williams’s best-known poetry, including Section I, which opens, “By the road to the contagious hospital,” and Section XXII, where Williams penned his most famous poem, “The Red Wheelbarrow.” Now, almost 90 years since its first publiction, New Directions publishes this facsimile of the original 1923 Contact Press edition, featuring a new introduction by C. D. Wright.<h3>Review</h3>“So remarkable an influence upon the poetry of our time.” (<strong>Robert Creeley</strong>)  “It is ever more apparent that Williams was this century’s major American poet.” (<strong><em>Chicago Tribune</em></strong>) <h3>About the Author</h3><strong>William Carlos Williams</strong> (1883–1963), author of <em>Paterson</em> and winner of the Pulitzer Prize for <em>Pictures from Brueghel</em>, is widely considered one of the greatest poets of the twentieth century. Also a short-story writer, novelist, essayist, and translator, he helped in a big way to establish modernism in America.  <strong>C. D. Wright</strong>’s most recent poetry collection <em>Rising, Falling, Hovering</em> won the prestigious Griffin Poetry Prize. She is currently the Israel J. Kapstein Professor of English at Brown University. </div>]]></description>
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<pubDate>Fri, 15 Nov 2013 06:54:41 +0200</pubDate>
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